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Get the player.
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Listen
to Jon
while you browse
walking blues
dust my broom
jealous kind of guy
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FREE
HARMONICA LESSONS
Welcome to my free blues harp lesson page, I think you will find both
the notation and the audio examples very useful. It is,
of course, expensive to create and maintain this website. If it
is valuable to you, I hope you will consider supporting it by
purchasing any or all of my best-selling books, CDs, videos,
or harmonicas. Not only will you be keeping us online, but
you will enhance your learning by owning the best and most
complete instruction products on the market. Now start wailin'...
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Note to MAC users - in order to use the streaming server you must configure Internet Explorer to use the MMS protocol. In Internet Explorer go to Explorer ---> Preferences, then select Protocol Helpers under network, hit the ADD button type in MMS then hit the Choose Helper button and select windows media player 7.
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b
means blow
d means draw
*
means bend ½ step
**
means bend whole step
***
means bend step and a half
Preview
in Windows Media Audio Format, Copy
or print the tables with lyrics and notation.
Red River Valley--1st
Position
| 3b |
4b
|
5b-5b |
5b |
5b |
4d |
5b |
4d-4b |
|
| From |
this |
val-ley |
you |
say |
you |
are |
go-ing |
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| |
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| 3b |
4b |
5b
|
4b |
5b |
6b |
5d |
5b |
4d
|
| We |
will |
miss |
your |
bright |
eyes |
and |
sweet |
smile |
| |
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| 6b |
5d |
5b |
5b |
4d |
4b-4d |
5b |
6b-5d |
|
| For |
they |
say |
you |
are |
tak-ing |
the |
sun-shine |
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| |
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| 3b |
3b |
3b-3d |
4b |
4d |
5b
|
4d
|
4b
|
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| Which |
has |
bright-ened |
our |
path |
for |
a |
while |
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Red River Valley
-- 2nd Position
The next step could
be to learn the song Cross Harp, or 2nd position. Here one plays the
C harp in the key of G, and here it is necessary to bend notes. Hitting
these bent notes accurately to play a melody is one of the most difficult
skills in diatonic harp. But the reward of Cross Harp melody playing
is a bluesy, slurring style that opens the door to jazzy improvisation
on any tune you manage to accomplish
| 1d |
2d
|
3d--3d |
3d |
3d |
3d** |
3d |
3d**-2d |
|
| From |
this |
val-ley |
they |
say |
you |
are |
go-ing |
|
| |
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| 1d |
2d
|
3d |
2d |
3d |
4d |
4b |
4d |
3d**
|
| We |
will |
miss |
your |
bright |
eyes |
and |
sweet |
smile |
| |
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| 4d |
4b |
3d
|
3d |
3d** |
2d-3d** |
3d |
4d |
4b
|
| For |
they |
say |
you |
are |
tak-ing |
the |
sun |
shine |
| |
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| 1d |
1d
|
1d--2d* |
2d |
3d** |
3d |
3d** |
2d |
|
| Which |
has |
bright-ened |
our |
path |
for |
a |
while |
|
'C' Scale
| 'C'
scale (no bending) |
| 4b |
4d |
5b |
5d |
6b |
6d |
7d |
7b
|
| 'C'
scale (with bends) |
| 1b |
1d
|
2b |
2d** |
2d |
3d** |
3d |
4b |
Bending
|
Bending
-- Key of 'C' (C-Harp) - Preview |
|
| 4 Draw Bending
(4d) |
3 Draw Bending
(3d) |
2 Draw bending
(2d) |
Blues Scale Down
Single Notes
- Download
Pucking (lip blocking)
and Tongue-blocking
| Puckering |
Tongue
Blocking |
| 4d |
3b |
4d |
4d |
1d/4d |
3b/6b |
Swing Low Sweet
Chariot - Download
(approx 6 minutes)
Here’s the basic
notation for a 2nd position classic. What you’ll hear in this download
is Swing Low on C harp--beginning with the traditional and evolving
into a wailing melodic jam that stays true to the melody.
| 3d |
2d |
3d |
2d-2b-1d |
2d-2d |
2d |
2d |
3d-4d |
5b |
4d |
| Swing |
Low |
Sweet |
Char-i-ot |
com-ing |
for |
to |
car-ry |
me |
home |
| |
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| 5b-4d |
3d |
4d |
2d-2d-2b-1d |
2d-2d |
2d |
3d** |
3d-2d |
3d** |
2d |
| Sw-ing |
Low |
Sweet |
Char-i-ot |
com-ing |
for |
to |
car-ry |
me |
home |
| |
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| 3d |
4d |
2d-2b |
2d-2d |
2b |
2d |
2d |
2d |
2b-1d |
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| I |
looked |
ov-er |
Jor-dan |
and |
what |
did |
I |
se-e |
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| 2d-2d |
2d |
2d |
3d-4d |
5b |
4d |
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| com-ing |
for |
to |
carry |
m-e |
home |
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| 4d |
5b-4d |
3d |
3d-3b |
2d-2d |
2d |
2d |
2b-1d |
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| A |
ba-nd |
of |
an-gels |
com-ing |
forth |
for |
m-e |
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| 2d-2d |
2d |
3d** |
3d-2d |
3d** |
2d |
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| Coming |
for |
to |
car-ry |
me |
home |
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AS ALWAYS, I AM
VERY INTERESTED IN YOUR HARP PLAYING. YOU MAY USE MY 800 NUMBER TO PLAY
FOR ME AND GET SOME FREE FEEDBACK
BY E-MAIL, OR TO GET A CUSTOM LESSON.
If you have your own cd, book or other product, let me know about it.
I am here to help.
THANKS, JON CROSS
HARP PRESS 1-800-646-9245 http://www.Gindick.com

Click Here To
E-Mail Jon
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| REFERENCES
AND TESTIMONIALS |
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From
the Pro's
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"I
suspect Jon's gotten more people playing harp than anyone since
Bob Dylan."
Ken Deifik, veteran recording artist and Nashville
session player.
-
"You
and your books have taken me all over the country and overseas
in the last 10 years, and more importantly, on an inner journey
that has brought me worlds of joy. I recommend your books and
methods to all of my students and future harpists."
Little Annie Raines, internationally acclaimed
harpist for Tone Cool Records.
-
"Jon
Gindick is the world's foremost instructor of blues and country
harmonica."
BB King, blues musician and legend.
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"I
recommend your books, videos and tapes to everyone who asks the
best way to gets started."
Lee Oskar, internationally known harmonica artist and harmonica
manufacturer.
- "I
always tell people to get your books."
Peter Madcat Ruth. internationally known harmonica
artist.
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From
Working Musicians and Teachers
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"Many
times in my life I tried to play music and always ended in
failure--until I got your book and tape. Now I have my own
blues band."
Steve Crawford, harp player for "Talking Back"
San Luis Obispo, Calif.
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"Because
of your dedication to teaching harmonica through books and
tapes, your name is firmly imbedded in the minds of harmonica
players around the world as a great instructor."
David Barrett, author of "Building Harmonica
Technique."
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"Thanks
Jon for helping me be a helper and teacher to about 250 harmonica
students the last five years."
Dick Anderson, engineer and harmonica instructor,
Loveland, Colorado.
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"It
is great. I am inspired and motivated by it. I am now starting
to learn to play the harmonica that I bought when I was in college
50 years ago." Leroy Fish, retired
chemist, Edina, Minnesota
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"A
brilliant, funny book that makes learning to easy." Benjamin
Day, England.
-
"I
am a collector of how-to books and tapes and I wanted you to
know that yours is the best." Joe
Vitale, editor, Houston, Texas.
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